Managed AI dubbing · native-reviewed
Your content, in every language.
Dubbed by AI, checked by native ears.
Send us your master. Get publish-ready audio tracks back in days — rights included. You never touch a tool.
EN and ES are real audio, produced end to end by our own pipeline — press play. The other buttons are waiting on their demo clip, not on the service: we dub into every language. Each one lands on the same timing grid, over the same music bed — that's what the two waves show.
Where we stand today — no logos we haven't earned
Client logos and case numbers go here once real work is delivered and cleared — not before.
The gap
Most of what the world watches was made somewhere else. Your content stops at your language.
65% of consumers prefer content in their own language — across 8,709 consumers in 29 countries (CSA Research, Can't Read, Won't Buy). There are two ways to fix that today, and both cost you something you can't spare.
Self-service apps
Cheap per minute — but you run the tool, you check every line, and nobody signs off on the result. The work moved to your desk.
Modennial
A finished deliverable at AI economics. We run the pipeline, a native speaker of your target dialect reviews it, and you get publish-ready tracks back in days — the exact schedule depends on the project, and we put it in the quote.
Traditional studios
Excellent, and priced for cinema. Weeks of scheduling, casting sessions and studio time you don't need for a training module or a product video.
How it works
Three steps. You never touch a tool.
Send your master
Video or audio, plus M&E stems if you have them. We handle separation if you don't. One brief at onboarding sets voices, glossary and delivery specs for every job after that.
We dub it — and a native speaker reviews every minute
Our pipeline transcribes, then transcreates the script for the ear of your target language — length-controlled, glossary applied, never word for word. It synthesises the cast you approved, then conforms and mixes. A reviewer who speaks your target dialect listens to 100% of it and we regenerate what they flag.
You get publish-ready tracks
Final mix and stems per language, platform-ready file naming, the QA scorecard, and the rights pack. Feedback by timestamp; revision rounds are included from Select up.
Hear it
Same minute, before and after.
Filter by what you make. Every sample is our own pipeline on material we hold the rights to — nothing borrowed, nothing cherry-picked from a vendor reel.
The compliance module plays real audio — press Original and Dubbed: both land on the same 29-second grid. The other five are waiting on their clips, not on the service: the UI is real and they arrive with the internal pilot. See the FAQ.
Voice cloning
Your voice. Every language. Still you.
We clone your voice — with your documented consent, never without it — and your dubs come back sounding like you: your Spanish, your German, your Portuguese. Your audience keeps the voice they subscribed to.
The same cloned voice carries your whole catalogue — courses, videos, updates — so switching languages never means switching hosts.
You sign a voice licence; a voice certificate and a rights-ledger entry ship with every delivery. Setup plus a separate licence fee — quoted before we start.
Your voiceprint is used for your content only. It is never blended into anyone else's project, demo or marketing — including ours.
No written consent from the voice's owner, no clone. Not for a client, not for a test, not for a demo of ours. If that rule costs us a sale, it costs us the sale.
The difference
Every minute is heard by a native speaker before you do.
Not a spot check. A reviewer from your target dialect listens to 100% of the minutes against a fixed rubric, we regenerate what fails, and the scorecard ships with the files.
English isn't one language. Neither is Spanish — or German.
A London read sounds foreign in Leeds, a Castilian track pulls a Mexican audience out of the video, and "German" covers three countries that don't sound alike. Every accent below is cast from our own voice roster and produced by the same pipeline — and whatever the language or accent, the review gate is the same: a native speaker of your target audience, hearing every minute against the same rubric.
España
México
Argentina
Colombia
Y el resto de la región
Svenska
Norsk
Dansk
Suomi
The tabs above are the accents we cast most often — not the edge of what we deliver. Name the language and the accent your audience actually hears, and we test-cast it: your first minutes go through the pipeline and you hear what to expect before you pay. If a pair doesn't hold our bar, you hear that from us first.
Every accent goes through the same pipeline and is reviewed against the same rubric. The test-cast is free to fail: if an accent doesn't hold, we tell you before you've paid for a minute.
Services
Three levels. Same delivery discipline.
Priced per minute-language — one finished minute of video in one target language. Minimum order USD 30.
All prices are in US dollars (USD).
Express AI Dub
For volume libraries where speed and cost decide, and a technical pass is enough.
- Publish-ready mixed tracks + stems per language
- Technical QC: sync, mix, loudness, artefacts
- Your glossary applied across the batch
- Fixed voice cast across episodes
- No revision round included
Select AI Dub + Native Review
For content your audience actually sits through: courses, product, branded and factual.
- Everything in Express
- 100% of minutes heard by a native of your target dialect
- Flagged lines regenerated before delivery
- QA scorecard signed by reviewer + technical QC
- 1 revision round, feedback by timestamp
- Original transcript included
Signature AI Dub + Native Adaptation
For content that has to sound written in the target language, not translated into it.
- Everything in Select
- Reviewer reworks every line for the native ear: idiom, CTAs, flow
- Glossary maintained as a living account asset
- 2 revision rounds
- Priority slot in the reviewer network
2026 launch prices apply to orders confirmed before 31 December 2026. After that, the 2027 launch price or the standard rate applies. The struck-through figure is our standard rate, not a previous price.
Visual dubbing
Lip-sync: the mouth moves in the new language too.
For on-camera speakers we re-time the lip movement to the dubbed track, frame-accurate, so the cut stops reading as dubbed. Your original master stays untouched — we work on a copy, and the synthetic-media marking ships with the output like everything else we deliver.
+US$8Standard rate+US$6 per minute-language, on top of your dubbing tier2026 launch price
Fast cuts, wide shots and low light degrade the result — we flag the shots that won't hold before you pay, not after.
From the script up
No original audio? We record the whole voiceover.
Courses, product videos, explainers, documentaries: send the script and the cut — or just the script — and you get the finished narration back, voice cast in the accent you picked above. Two ways to buy it, and the difference is who listens before you do.
Express US$0.30 per finished minute, flat · synthetic voice, glossary applied, no human review
Select US$6Standard rate US$5
mixed against your picture and heard end to end by a native reviewer
Expressive read +US$3Standard rate+US$2 per finished minute · on Select
Express is the machine output, priced like one — no reviewer hears it, and we won't pretend otherwise. Select is the one we put our name on: a native speaker hears every minute, the read is directed — register, pace, intent — and the mix sits against your picture. Dramatic character performance and singing stay outside both. Expressive reads run on a vetted partner engine — named in your contract, paid tier only, never used to train on your content.
Already dubbed it yourself?
We'll tell you what's wrong with it. That's the whole service.
You ran your content through a self-service tool and it came out… fine? Send us the output. A native speaker of your target dialect listens to every minute, and you get the same QA scorecard our own deliveries ship with — mispronunciations, broken terminology, sync drift and mix problems, line by line, with timestamps.
- 100% of minutes heard by a native of your target dialect
- Scorecard with timestamp, severity and the exact fix needed
- Works on any source — our pipeline, another vendor's, or your own tool
- We review. We don't touch your files unless you ask us to
If the review says your current output is good enough, we'll say that too. That's the point of paying someone who isn't selling you the fix.
Every delivery includes
Dubbing is where it starts, not where it ends.
Your audience doesn't stop at the audio track. These come out of the same pipeline, with the same glossary and the same reviewers — briefed once, delivered together.
Subtitles & captions
Subtitles and closed captions in every language we dub, timed against the final mix — not auto-generated and left there. Same glossary, same reviewer, same scorecard.
On-screen text & graphics
Titles, lower thirds, callouts and slides rebuilt in the target language, matched to the original design. The half of localization self-service tools ignore — and the one that decides whether a course is actually usable.
Scoped per project quoted from your source filesMetadata & search
Titles, descriptions, tags and chapter markers localized for how people actually search in that language — not translated word for word. A dubbed video nobody finds is a dubbed video nobody watches.
Transcreation
Copy, CTAs and hooks rewritten so they land in the target market, not just parse in it. Available on its own, or included on Signature.
One brief, one glossary, one invoice, one point of contact. You don't coordinate vendors — that's our job.
What we fix and what we don't. On Select and Signature we correct pronunciation, terminology, sync and mix — and we direct the read: register, pace and intent, from a clean corporate narration to an expressive documentary delivery. Where we stop: dramatic character performance and songs. If your project lives or dies on an actor's interpretation, you want a traditional studio — we'll say so on the call.
Honest comparison
No competitor names, no rigged rows — the shape of the three options.
| Self-service apps | Modennial | Traditional studio | |
|---|---|---|---|
| Who does the work | You, in their editor | We do, end to end | They do, with a director |
| Quality control | Whatever you catch yourself | Native reviewer on 100% of minutes + technical QC, scorecard attached | Director, engineer and QC in the room |
| Typical price | ~US$0.30–2 per minute-language, raw output | US$2–20 per minute-language, published | US$50–300+ per minute, quoted per project |
| Rights & compliance | Your problem, in the terms of service | Rights pack per delivery, consent-verified voices, AI Act marking | Contracted talent, union terms where they apply |
| Consistency across episodes | Re-pick voices every time | Cast, glossary and style locked to your account | Same cast, if they're available and you can afford the block |
Market ranges checked against published 2026 tool pricing and industry rate cards.
Who it's for
Volume content that has to travel.
Your course library is stuck in one language, and re-recording it is a project nobody will approve.
We take the finished modules, keep the on-screen terminology aligned with your glossary, and return per-language tracks named for your LMS. Same instructor voice across every module, every year.
What you get: per-module tracks + stems · glossary locked to your account · QA scorecard per batch · LMS-ready naming · rights pack for your legal team.
You ship product videos weekly. Localizing them is always next quarter's problem.
Retainer with a monthly minute quota: you push the master when it's cut, we return the language tracks in days — quoted per batch, so localization stops slipping to next quarter. Product names and UI strings stay exactly as your docs team wrote them.
What you get: monthly quota with rollover terms · UI-string glossary honoured · consistent brand voice per market · scorecard per release.
A catalog only earns in a market once it speaks that market's language.
Factual, lifestyle and library content at batch economics, with cast continuity across seasons so episode 40 sounds like episode 1. We don't take premium scripted fiction — that belongs in a studio.
What you get: season-level batches · fixed cast per character/channel · delivery specs per platform · per-title rights ledger.
Your back catalog is a second channel in another language — if the dub doesn't sound machine-made.
Multi-audio tracks named for YouTube, and a native reviewer of the dialect your audience actually speaks. Clone your own voice with documented consent, and every dub still sounds like you.
What you get: YouTube multi-audio naming · back-catalog batch pricing · optional voice clone with consent on file · scorecard per batch.
Rights & compliance
The paperwork your legal team will ask about — already done.
Synthetic voice is a legal question before it's a creative one. We answer it in writing, per delivery.
Consent ledger
Every voice we use is either from a catalog we hold clean commercial rights to, or a clone with documented consent from the person it belongs to. No consent on file, no production — including for demos. Evidence requests: send us a request, or write to rights@modennial.com.
EU AI Act art. 50
In force since 2 August 2026. Machine-readable marking of synthetic audio and the disclosure metadata ship with every file, so your EU distribution isn't blocked by a checkbox.
Per-client data walls
Your media, voices and glossaries are never used for another client, for a demo, or to train anything. Reviewers sign NDAs and see only the job they're on.
Model licence audit
Open weights are not automatically commercial weights. We audit the licence of every model in the pipeline before it touches paid work, and we keep the register.
Straight answers
The questions we'd rather answer now than after the invoice.
Is this as good as a human studio?
No. It's a different product. A studio gives you performance: an actor's interpretation, a room full of decisions. We give you publish-ready quality for volume content at roughly 10–20% of that cost.
We fix pronunciation, terminology, sync and mix, and we direct the read — register, pace and intent, up to a fully expressive delivery. What we still don't do is dramatic character performance or songs. If the piece lives or dies on an actor's interpretation, hire a studio — we'll tell you that on the call rather than after the delivery.
Who actually listens to my content?
On Select and Signature, a reviewer who is a native speaker of your target dialect, under NDA, hearing 100% of the minutes against a fixed rubric. They're quality control, not voice actors — that distinction is the whole model. On Express there is no native review, and we say so in the quote.
Do you clone voices?
Only with documented consent from the person whose voice it is, and the licence fee for that voice is billed separately from production. No consent, no clone — no exceptions, not for pilots, not for demos, not for internal tests.
What languages can I actually get?
Any language. Dubbing, voiceover, subtitles, on-screen text — the whole service, whatever the language pair. Before you commit to anything we run your first minutes through the pipeline, listen, and tell you straight what quality to expect; from Select up, every delivery is then heard end to end by a native speaker of your target language before it reaches you. If a language pair doesn't hold our bar, you hear that from us first — not from your audience.
Can you hit a specific regional accent?
Yes — that's most of the point. RP for a UK launch, General American or a New York edge for the US, Castilla y León for documentary narration in Spain, neutral Mexican for Latin America, Hochdeutsch for the DACH market: you pick the accent at casting, from the explorer above or from anything else your project needs. If it's not on the list, we test-cast it before we quote — and if it doesn't hold our bar, you hear that from us first.
I only have a script — no video, no audio. Can you produce the voiceover?
Yes. Send the script — and the cut, if one exists — and you get the finished narration back: voice and accent cast to your brief, glossary applied, mixed against your picture or delivered as a clean track. It goes through the same review gate as a dub, and it's quoted per finished minute. If the piece calls for more than a clean narration, an expressive, directed read is available as an add-on.
How long does it take?
Days, not weeks, for a standard batch — the exact SLA depends on tier, language count and whether you're on a retainer. Rush is available as a multiplier. Real median turnaround will be published here once we have enough deliveries to average honestly.
What if I don't like the result?
Select includes one revision round, Signature includes two, with feedback by timestamp. The contract defines a correctable fault — pronunciation, glossary, sync, mix, a line that misses the original meaning — and what falls outside it: dramatic character performance, changing your mind about a voice after casting, songs. Those are quoted separately.
Why is there no free trial?
Because a real pilot costs us real reviewer hours, and free pilots select for people who were never going to buy. The paid pilot is credited to your first plan if you continue.
What do you do with my media?
It stays inside your client wall: never reused for another client, never shown in marketing without written permission, never used as training data. Retention terms are in the contract, and we delete on request.
Next step
Hear your own content before you commit to anything.
One real batch, produced exactly the way a full engagement runs — same pipeline, same reviewer, same scorecard.
10 finished minutes in each language you pick, up to 2 languages. Full Select with scorecard, credited to your plan if you continue.
- Your content, not a demo reel
- Native review on 100% of the minutes
- Full delivery package: stems, scorecard, rights pack
- No free trial, no credit card wall, no auto-renewal
Contact
Tell us what you need.
Send the languages, the volume and a link to the content if you have one. That is enough for us to come back with a real number instead of a range.
- Goes straight to a person, not a ticket queue
- No account, no newsletter, no sales sequence
- Posts to our own server — no third-party form service handling your brief